Enrolled Citizen of the Nulhegan Band of the Coosuk Abenaki Nation
Juried Artist since 2016
Kerry Wood/Kalli Abazi is a citizen of the Nulhegan Band of the Coosuk Abenaki Nation. In 2016 she completed a 3 year apprenticeship program with Jeanne Brink through the Vermont Folklife Center Traditional Arts Apprenticeship Program for making traditional Black Ash and Sweetgrass baskets.
Elvine Obomsawin, Kerry’s Great-Grandmother, and her family made and sold baskets to tourists in Vermont in the early to mid-1900’s. Jeanne Brink is also Kerry’s cousin, and hearing the stories from their Obomsawin family heritage while learning basket making brought her past alive! When she is making baskets, she feels a deep connection with those who have gone before her, and is at peace and connected. Her husband helps prepare the ash by harvesting the ash trees and, with their son Aaron, pounds and splits the ash. The family works together to create the materials for baskets from the harvest of the tree to the final project.
Kerry has baskets on display at the Vermont Maritime Museum, The Abenaki display at the Burlington Airport, and at the Bennington Museum. Black Ash and baskets remain a critical aspect of Abenaki culture and heritage. They are part of Ndakinna, our land. Kerry teaches Abenaki people and others the history and craft of Abaznodaka as well as the language of the Abenaki people, Alnôbaôdwa, so the culture and heritage will continue. She is also collaborating with people across Vermont to help combat the impact of the Emerald Ash Borer, which threatens the very existence of the Black Ash trees. Basket making is part of the Abenaki soul and heritage, and it is critical to ensure it is never lost.
Enrolled Citizen of the Nulhegan Band of the Coosuk Abenaki Nation
Juried Artist since 2014
Bill Gould lives in Warner, NH with his wife Sherry. They were both born and raised in New Hampshire. Together they raised their two daughters in Warner. Bill is a lumberman by trade. They celebrate their Abenaki heritage and love making beautiful baskets.
Together Sherry and Bill studied utilitarian Abenaki basket-making in 2006 under master artist Newt Washburn of Bethlehem, NH. Bill has taught Steve Lewko Abenaki utility basket making for two years through an award from the NH Arts Council, Traditional Arts program.
In 2011 Bill, together with Jesse Lacquer started the NH/VT Abenaki Basketmakers Alliance. Bill and his wife, Sherry, work to maintain basketmaking as part of Abenaki culture through teaching other Abenaki through the traditional arts programs in New Hampshire and Vermont.
Artist Statement
I like to make baskets. My life and livelihood revolves around wood. Basket making ties my love of wood to my Native American heritage. I got started back when my wife needed molds and tools to make her baskets. Eventually, I worked with Newt Washburn; I learned to identify brown ash trees, cut them, pound them and prepare the wood into strips for splints and weavers or handles or rims.
I love working with a crooked knife; it allows me to feel the wood. Newt taught me to try different methods and do what works best for me. I like a certain method of joining my swing handles; instead of using a small brass nail, I weave a tail of the wood through itself. I think that works good. It is especially rewarding for me to hold a finished basket in my hands, knowing that I have made good choices about using the right pieces of wood and preparing them with skill.
In my daily work, I harvest trees, saw them into boards, provide slabs for boiling sap to syrup, provide lumber to build things like houses or furniture, renovate my home and heat my house with it. Basket making requires no modern technology to create something visually pleasing that is as functional today as it was 200 years ago. I want to do my part to preserve this timeless culture. When people see my basket, I’d like them to see its art form and to see themselves using it.
Contact Info
Note: The Goulds do not have a store; however, they will accept custom orders.
First People of the Northeast, Mill Brook Gallery & Sculpture Garden, Concord, NH
2007
Gallery 205, League of New Hampshire Craftsman (LNHC), Concord, NH.
Consultations
“Abenaki Basket Trail” Organizing consultant, sponsored by Mt. Kearsarge Indian Museum, Hopkinton Historical Society, Newbury Historical Society, Warner Historical Society, New Hampshire Historical Society (2009-2011)
“Hillsboro, NH Living History Event” Implementing a Native American component to this annual event. For 2011 funding from the NH Council on the Arts paid three Native American artists to present. For 2012 historic presentation of an early 19th century Abenaki basket maker tourist camp with sales will be integrated to the program on Jones Road. (2010 – present)
“Holderness 250th Anniversary” Arranged Native American artisians to demonstrate beadwork, basketmaking and flute making. Also a woods walk, “The Feast at our Feet” (2011)
Every year the Abenaki Heritage Weekend offers opportunities for in promtu activities for the public to interact with the Abenaki community. Lina Longtoe of Askawobi Production captured a couple of these encounters.
Aaron Wood teaches two young people learn how to pound an ash log to produce ash splints for basket making.
Everyone gathers for a Round Dance
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