Tag Archives: abenaki

Abenaki Organizations

The four state-recognized tribes of Vermont are very active. It is important to note that, though the tribes are recognized in Vermont, our land was not divided by borders. We, the Abenaki, call our homeland N’dakinna. The citizens of the four tribes do not live in only Vermont – they live in many places throughout N’dakinna, such as New Hampshire, Maine, Connecticut, Rhode Island, Massachusetts, and New York. Some of the People even live in states other than the northeast. So, you will find that some of the organizations listed below are far-reaching. 

Over the next several weeks, we will be sharing the links to various organizations that you may find of interest. Please take some time and click on the links to learn more about each of these organizations. We have put a description for each organization to help you identify whether they may meet some of your needs or interests. 

Abenaki Arts & Education Center

The Abenaki Arts & Education Center (AAEC) was created because Abenaki history and culture are not included in the regional curriculum, it is difficult for teachers to find Abenaki educators and authentic curriculum resources. In addition to the free resources listed on this website, they also offer many educational programs, and a YouTube channel with videos. Following is the mission of the AAEC:

“Our mission is to support American Abenaki sovereignty through education and sharing Abenaki history and cultural resources with people of all ages so Abenaki living culture can be taught across N’Dakinna (our homeland).”

State-recognized Tribes

There are four state-recognized tribes in the state of Vermont. Each tribe is self-governed and operates as a sovereign tribe or band. The citizens of the tribes often gather at various functions to fellowship. A good example is the Abenaki Heritage Weekend, which will be held June 18 – 19 this year. To learn more about each tribe, please visit their website. The links are provided here:

Elnu Abenaki Tribe

Koasek Traditional Band of the Koas Abenaki Nation

Nulhegan Band of the Coosuk Abenaki Nation

St. Francis-Sokoki Band of the Abenaki Nation of Missisquoi

Amy Hook Therrien – Acclaimed Abenaki Watercolor Artist – Part 1

Sylvan Linck ‘24.5 – Middlebury College

FYSE 1570: Native Presence and Performance – 13 May 2021

Due to the length of this narrative, it will be introduced in two parts over a period of two weeks. This is part one.

Amy Hook Therrien is a local artist who specializes in watercolor painting and is a citizen of the Koasek Traditional Band of the Koas Abenaki Nation. Therrien grew up with her family in Chelsea, Vermont in a house overlooking the valley, and surrounded by nature. She graduated from Randolph Union High School and, with the support and encouragement of her parents, attended the University of Maine in Orono to study art. She considers herself very lucky to have such a supportive relationship with her family. While at the University of Maine in Orono she majored in fine art and specialized in painting and sculpture. Therrien moved back to Vermont after graduation, and is living in Windsor with her husband Alex, along with their bunny and two dogs. When she isn’t creating art, she loves spending time with family, traveling, and getting outside to do activities such as hiking and gardening. She is also a Traditional Abenaki singer, and for a time participated in an Abenaki singing group. 

Therrien often starts her paintings by drawing lines and details with pen and then going over those drawings with watercolor. When first beginning to incorporate watercolor into her work, the fluidity and uncontrollability of the medium made her nervous. However, with time and practice, she “learned to love the uncontrollable chaos” of it. She often purposefully mixes her paint loosely to allow the paint to separate in a way that creates a more exciting and realistic texture. Therrien believes that “painting in nature is always exciting,” and loves painting things that she finds outdoors. She is passionate about exploring that excitement, and enjoys painting natural things such as landscapes, flowers, leaves, waterfalls, stones, and is “obsessed” with painting birch trees, which she really loves. 

Therrien sometimes enjoys going on walks or hikes either by herself or with family to find inspiration for her paintings. When experiencing some trouble thinking of the next project idea, she enjoys painting leaves. Painting leaves is a way to continue creating while possibly helping to inspire a new project idea. When the objects she is painting are small enough, like leaves, she often brings them back to her studio to paint there. While painting outside sounds romantic and lovely, logistically it is quite difficult, and she prefers to work in her studio. When the subject of her painting cannot be brought into her studio, she often takes pictures of it and brings those back to her studio to work with. 

When choosing what to paint in nature she rarely picks the “perfect” leaf, tree, or other subject. She finds great value in painting “imperfect” subjects, such as a cracked up dead leaf or a flower that is missing a petal. Nothing in nature is perfect, and nothing looks exactly the same. Painting things in nature and painting them realistically and “imperfectly” allows for more freedom in her painting style and her paintings. She believes that “you can fall in love with the imperfect.”  One of Therrien’s pieces titled Aerial View of N’dakinna, appears in a Study Guide that the Vermont Abenaki Artist Association created to educate people about the Abenaki and their dress throughout time. The painting of N’dakinna, meaning homeland, is placed next to a geopolitical map of the same area. The painting contains no place names or borders and shows the very “different perspective that the Native people have of the land.” It is a drastic visual shift from the geopolitical map next to it, and it sometimes takes longer for people to recognize the area when portrayed in this way. Therrien herself says that “I know if I hadn’t painted it would take me a little while to place it.”  Her piece challenges European dominated thinking and inspires a new perspective more inclusive of Native people.

Melody (Walker Brook) Mackin: Weaving Core Values Through Time – Part 1

In spring 2021, Vera Longtoe Sheehan (Elnu Abenaki) met with the students of “Native Presence and Performance: Reclaiming the Indigenous Narrative,” a first-year seminar offered by Middlebury College. After the meeting, Longtoe Sheehan recommended the students interview and write about VAAA affiliated artists. This blog post is one of a series that were created for that project, respectfully submitted by a student who self-identifies as non-Native.

Due to the length of this narrative, it will be introduced in two parts over a period of two weeks. This is part one.

Annabelle Wyman 24.5 – Middlebury College

Native Presence and Performance – 1 June 2021

Melody Mackin is a wonderful finger weaver, diligent activist, ardent educator, and devoted member of the Elnu Abenaki Tribe. In March of 2021, I had the privilege of speaking with her about this work and what she believes are the important aspects of Abenaki culture and history. Melody was taught to weave by two of her community members, Linda Longtoe Sheehan and Rose Hartwell, both of whom provided her with information on different facets of weaving. She explains that Linda taught her about the value of deliberate, slow, and methodical work while Rose taught her the intricacies of the craft and helped Melody to develop her own style of finger weaving. In the Abenaki community, finger weaving is deeply interwoven with the personality of the artist. The artist who creates the project incorporates their own techniques and methods to the process that bring their own style to the piece. Weaving has not changed much over the thousands of years it has been in existence, and members of the Abenaki community continue the tradition by using the same patterns, techniques, and materials as their ancestors to create a nearly identical product. However, the projects that are completed today are often very different than the ones of the past. Many products that were originally needed are not necessary today. Instead of ceremonial sashes, modern weavers have created pieces such as cell phone cases; beautifully connecting modern needs with traditional practices. 

When Melody first began learning, there were only a limited number of finger weavers left in the community. She used her new skills to teach others in her family and the community, which then helped the number of weavers to multiply. She also took the time to teach non-native people from outside of her community in schools and at gatherings (most notably the Affirming Traditions Conference) in an effort to raise awareness about indigenous art forms. As Melody began to teach weaving to other members of her community, she came to a realization: her students were creating amazing products their first or second time weaving. She explains that her ancestors showed her that she was meant to be a teacher and should use her skills to educate others about the Abenaki community. 

In her book Decolonizing Methodologies, Linda Tuhiwai Smith introduces twenty-five indigenous projects that serve to help Native communities in their attempts to conduct research and renew their tribal identities and culture. She explains that Protecting is a project used to ensure the continuation of oral and cultural tradition. Melody exemplifies this project by using her knowledge and passion for teaching to share her skills with her community and thus protect the art of finger weaving from extinction. As she began to explore her passion for teaching further, Melody worked at Johnson State College where she taught Abenaki history, culture, and spirituality, and Native American history and culture. After Johnson State College, she taught a class called “Making Connections” at Champlain College. This class was about bringing a community together and building cohesive relationships; which is the ideology that shapes Melody’s current work as an educator and mentor in the Abenaki community. Then she went on to Northern Virginia Community College to teach history of western civilization and U.S. history. Melody also gave a wonderful TedTalk entitled, “Weaving a Thread Through the 7 Generations” in which she explains her process of cultural weaving. Cultural weaving is a way to reconnect with the past in order to move through the world in a way that respects your ancestors from the past and in the future. It is done by bringing the core values of the community –– seeing the spirit in all things and understanding one’s role in the community of creation –– into daily life and using them to make decisions in the present for the seven generations. The seven generations that the Abenaki community focuses on are the generations that you can live with, from your great-grandparents to your great-grandchildren. With every decision Melody makes, she works to honor the past, present, and future of her community. Unlike western civilization, the Abenaki community does not focus on the individual, it focuses on everyone, including the ancestors. Melody explained to me that walking in your ancestors’ shoes is a beautiful exercise that helps with this practice. She says that “the whole point of the seven generations is to understand where you’ve been to understand where you need to go.” This is a beautiful practice that could deeply change the culture of the U.S. In fact, Melody contends that if everyone made decisions based upon respect for their ancestors in the past and present, the world would be a much better place.

Abenaki Heritage Weekend

When: June 18-19, 2022

Where: Lake Champlain Maritime Museum, 4472 Basin Harbor Rd, Vergennes, VT 05491

Cost: $0

Directions: Click here for Google Map

Join the Native American community at the Abenaki Heritage Weekend on June 18 and 19 at Lake Champlain Maritime Museum to explore and learn about the Abenaki perspective on life in the Champlain Valley. Activities include several workshops, presentations, drumming, and singing.

This heritage weekend brings together citizens of the Elnu Abenaki Tribe, the Nulhegan Band of the Coosuk Abenaki Nation, the Koasek Traditional Band of the Koas Abenaki Nation, the Missisquoi Abenaki Tribe. It is presented by the Vermont Abenaki Artists Association and the Abenaki Arts & Education Center, and hosted by the Lake Champlain Maritime Museum.

If you have specific accommodations you need to facilitate your participation in programs, workshops, or any other questions you have, please contact the organizers of Abenaki Heritage Weekend by email at heritage_weekend@abenakiart.org.

Special Programs

  • Abenaki Storytelling Project, Vera Longtoe Sheehan
  • A Safe place to be Abenaki, Fred Wiseman
  • Curatorial talk – Vera Longtoe Sheehan will talk about the Neizun Water is Life Exhibition

Artists Featured in the Arts Marketplace

  • Michael Descoteaux
  • Chief Shirly Hook
  • Jeanne Morningstar Kent, gourd art
  • Linda Longtoe Sheehan, wampum
  • Roger Longtoe Sheehan, carved pipes and blades

Tentative Schedule

Saturday, June 18 – Museum Hours: 10:00 am to 4pm

Ongoing Activities until 4:00pm:

  • Arts Marketplace (Boat Shed and on the Green)
  • Wampum with Linda Longtoe Sheehan (Boat Shed)
  • Historical conversations and soapstone pipemaking with Sagamo Roger Longtoe Sheehan
  • Children’s Make and Take (Foundry)
  • Memory Booth (on the Green)
  • In-Ground (Firepit) Cooking Demonstration with Chief Shirly Hook (Roost)
  • Animal Tracking with Doug Bent (Roost)
  • Fire Making with Flint and Steel with Doug Bent (Roost)
Image of storyteller with children.

11:00 – Greeting Song, Land Acknowledgement, and Opening Remarks (Pine Grove)

11:30 – Telling Our Stories: Abenaki Storytelling Project (Auditorium in Gateway) – Sheehan will provide a overview of the project’s inspiration, goals, approach, and significance of this project to the Abenaki people.

12:00 – Picnic Break

1:00 – Storytelling and Music with Dancing Blue Wolf (Pine Grove) – traditional songs will be sung with the children along with the telling of a story.

1:30  – Chief Don Stevens and the Nulhegan Abenaki Drum Group (Key to Liberty) – Chief Don will lead traditional songs and also do storytelling.

2:00 – Nebizun: Water is Life – Gallery Talk (Schoolhouse) – Vera Longtoe Sheehan will present information about the exhibit.

3:00 – Nulhegan Abenaki Drum Group – Music (on the Green)

4:00 – Traveling Song and closing

SUNDAY – June 19, Museum Hours: 10:00 am to 4pm

Ongoing Activities until 4:00pm:

  • Arts Marketplace (Boat Shed and on the Green)
  • Wampum with Linda Longtoe Sheehan (Boat Shed)
  • Historical conversations and soapstone pipemaking with Sagamo Roger Longtoe Sheehan
  • Children’s Make and Take (Foundry)
  • Memory Booth (on the Green)
  • Animal Tracking with Doug Bent (Roost)
  • Fire Making with Flint and Steel with Doug Bent (Roost)
Image of Linda Longtoe Sheehan.

11:00 – Greeting Song, Land Acknowledgement, and Opening Remarks (Pine Grove)

11:30 – Storytelling and Music with Dancing Blue Wolf (Pine Grove) – traditional songs will be sung with the children along with the telling of a story.

12:00 – Picnic Break

1:00 – A Safe Place to be Abenaki – Frederick M. Wiseman (Auditorium) – Dr. Wiseman will discuss the Vermont Indigenous Heritage Center’s successes and future focus on expanding this safe place to be American Abenaki and do American Abenaki things.   

2:00 – Nebizun: Water is Life Gallery Talk (Schoolhouse) – Vera Longtoe Sheehan will present information about the exhibit.

3:00 – Nulhegan Abenaki Drum Group – Music (on the Green)

4:00 – Traveling Song and closing

#Abenaki #heritage #weekend #VAAA

Vermont Abenaki Artists Association is supported by the New England Foundation for the Arts through the New England Arts Resilience Fund, part of the United States Regional Arts Resilience Fund, an initiative of the U.S. Regional Arts Organizations and The Andrew W. Mellon Foundation, with major funding from the federal CARES Act from the National Endowment for the Arts.

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Kchi Wliwni (A Big Thank You) to our Sponsors

“Abenaki Elders and Artists Struggle in Face of State Reopening”

photo of disposable masks in the shape of x caption shared the same text as title

FOR IMMEDIATE RELEASE: 

By Lina Longtoe Schulmeisters (@Askawobi), Program Coordinator and juried artist, and
Hawk Longtoe, Intern and juried artist, VAAA

N’DAKINNA (Vermont, USA) – As the country braces and prepares for new waves of Covid-19 cases amidst state reopenings, the Abenaki population remains vulnerable since the early days of the pandemic.

N’dakinna (Abenaki for our homeland),  is beginning to reopen, with Vermont going as far as to allow “travel outside of Vermont to counties across New England and New York that have a similar active COVID-19 caseload to Vermont and return without quarantining if they do so in a personal vehicle”, according to the Agency of Commerce and Community Development. But many Abenaki citizens are extremely vulnerable in these times.

Based on recent research by the Vermont Abenaki Artists Association (VAAA), the Abenaki population is in desperate need of protective gear (PPE) such as masks, gloves, and other materials as Vermont and neighboring states continue their re-opening plans. Disinfectant and cleaning supplies are also highly needed, in order to keep Abenaki families and businesses safe, while personal care/hygiene products have also been requested alongside arts supplies for children and youth performers. “I worry and pray that everyone is checking on the Elders,” remarked one VAAA artist, “I don’t know if our Elders are getting the help that they need. I check in on the Elders at least once a week and ask if they need anything and hope they aren’t too proud to say yes or accept that help.”

For this reason, VAAA’s team is working behind the scenes to gather donations to help fund our Covid-19 relief and response efforts, including sending care packages to Elders and artists who need PPE items such as masks, gloves, hand sanitizer, or assistance with acquiring basic necessities such as food and medicine. Due to the fact that VAAA is a grassroots organization, our long-time partner Lake Champlain Maritime Museum will be our acting fiscal sponsor. Visit VAAA’s donation page to see how you can help visit www.abenakiart.org/donations.

VAAA was recently awarded a special project grant from the Vermont Arts Council and New England Foundation for the Arts which will provide direct relief and assistance to 17 Abenaki artists. Vermont Humanities Council awarded VAAA a Cultural Relief grant that will partially support virtual programming such as the Abenaki Heritage Weekend later this summer. Contributions like these serve as direct action to assist the Abenaki community in a meaningful way identified by the Abenaki community.

VAAA represents almost 300 individuals who proudly contribute to not only the four Recognized tribes of Vermont (the Elnu, Nulhegan, Koasek, and Missisquoi Abenaki Tribes) but also contribute to the larger Vermont and American societies. We are essential workers, health care workers, EMTs, tradesmen, business owners, teachers, educators, professors, veterans, EMS students, volunteers, adult and youth leadership, Elders, and much, much more. Just like you and your families. The groundbreaking research discussed here is currently being undertaken by key individuals within the VAAA team. Any publications or presentations based on this data will be made by these same Abenaki culture bearers.

References:

  • Agency of Commerce and Community Development, 2020. Cross State Travel Information | Agency Of Commerce And Community Development. [online] Agency of Commerce and Community Development. Available at: <https://accd.vermont.gov/covid-19/restart/cross-state-travel> [Accessed 14 June 2020].

About the Vermont Abenaki Artists Association (VAAA)

Our mission is to promote Vermont’s Indigenous arts and artists, to provide an organized central place to share creative ideas and professional development as entrepreneurs, and to have a method for the public to find and engage our artists. For more information about VAAA, please visit http://abenakiart.org or follow us on Facebook or Twitter.

For more information, contact:

Lina Longtoe Schulmeisters, Program Coordinator, Vermont Abenaki Artists Association, abenaki@abenakiart.org

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Calling All Abenakis

Support local indigenous research and ways of knowing; participate if you’re eligible or share to spread the word. I’m looking to reach all Abenakis across N’dakinna. The survey is available at www.tinyurl.com/AbenakiFood

This is open to *all* Abenakis, regardless of:
– tribal affiliation
– which country you live in
– whether you or your tribe are currently recognize
d or have Indian status

 

Sen. Bernie Sanders Exhibits Abenaki Art in Office

For more information Contact: Vera Longtoe Sheehan, vera.sheehan@abenakiart.org

Image Courtesy of Diane Stevens Photography.

July 26, 2019 – Burlington, VT. – Abenaki art will be on display for the public in Sen. Bernie Sanders Washington DC office from now until November 2019.

Last January, Julia Santos from Senator Sanders office reached out to the Vermont Abenaki Artists Association, and the senator’s representative requested that VAAA loan Abenaki artwork to be displayed in the senator’s office as part of an on-going exhibit dedicated to Vermont artists. When asked whether the senator was interested in displaying traditional or contemporary art, Santos suggested that the art represent the beauty of Abenaki culture.

“As the discussion continued, it became clear that the Abenaki people should exhibit a small collection of both traditional and contemporary artists so the art could tell the story of Abenaki continuity of culture in our homeland,” explained Vera Longtoe Sheehan who is the Director of the Vermont Abenaki Artists Association. “It was also important for the Abenaki language to be incorporated into the exhibit title yet for the exhibit name to be understood by a broader audience.”

As visitors enter Sen. Sanders office they are greeted by the exhibit “Askwa n’daoldibna iodaliWe are Still Here” which features artwork by well-known artists from three out four of Vermont’s recognized tribes. Some of the highlights include: Amy Hook-Therrien’s, of the Koasek Abenaki Tribe, watercolor painting “An Aerial View of N’Dakinna” depicting the tribal homeland without borders; Jeanne Morningstar of the Nulhegan Abenaki Tribe’s wood-burned gourd, which tells the story of Gluskape shooting an arrow into the Ash tree and bringing humans into existence; a beaded Chief’s medallion by Lori Lambert, of the Nulhegan Abenaki Tribe bearing her tribal flag; Vera Longtoe Sheehan, of the Elnu Abenaki Tribe, honoring all Abenaki veterans past and present with a woven bag in the colors of the “Red and Blue Men;” and the photograph Nature’s Palette by Diane Stevens’s of the Nulhegan Abenaki Tribe. This image won the Best in Color award in the Arts Alive Open Photography Contest.

Sheehan goes on to explain how Abenaki designs carry special meanings, especially when woven into wampum belts that are used in ceremonies. Linda Longtoe Sheehan, also of the Elnu Abenaki Tribe, explains the images on the “Marriage Equality Wampum Belt” which bears the images of “two men together, a man and a woman together, and two women together.”

Last but not least, the acrylic painting 18th Century Abenaki Couple that was created by Francine Poitras Jones. This particular artwork was created by referencing an original 18th century watercolor painting of an Abenaki couple which is in the collection of the Montreal Archives.

“It is important that Abenaki artistry is displayed in the Capitol City of the United States of America. We are part of the original fabric that makes up this country.  We continue our governmental relationships with the US Congress delegations as did our ancestors. In this spirit, we must thank Senator Bernie Sanders for hosting our Western Abenaki display and recognizing the importance of indigenous people who still live and thrive in his home state of Vermont,” said Chief Don Stevens of the Nulhegan Abenaki Tribe.

If you are unable to travel to Washington DC, VAAA has another exhibit is on display at Lake Champlain Maritime Museum in Vergennes, VT.  “Nebizun: Water is Life” draws its inspiration from Wabanaki (Native American) Grandmothers that have been doing Water Walks to pray for the water. Grandmother Dorene Bernard and others are currently traveling over 600 kilometers through the traditional territories of the Wabanaki Confederacy tribes (Abenaki, Mi’kmaq, Passamaquoddy, Penobscot, and Malecite). Their journey will take them from Nova Scotia to Nebizun, Maine in “a 53-day ceremony where we’re going to walk with the water, to pray for the water and pray for Mother Earth,” Bernard said.

As fellow citizens of the Wabanaki Confederacy, the Abenaki share their concerns for life bringing waters. “We want to show the Abenaki relationship to water and draw attention to water as a fundamental element that is necessary for all life and acknowledge how pollution can change our traditional lifeways and health,” said Vera Longtoe Sheehan who curated both exhibits.

About the Vermont Abenaki Artists Association (VAAA)

Our mission is to promote Vermont’s Indigenous arts and artists, to provide an organized central place to share creative ideas and professional development as entrepreneurs, and to have a method for the public to find and engage our artists. For more information about VAAA please visit http://abenakiart.org or follow us on Facebook or Twitter.

For more information, contact:

Vera Longtoe Sheehan, Director Vermont Abenaki Artists Association (802) 579-0049

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FOR IMMEDIATE RELEASE

April 23, 2018

Earth Haven Learning Centre is proud to announce the publication of the Seven Sisters: Ancient Seeds and Food Systems of the Wabanaki People and the Chesapeake Bay Region, written by Dr. Frederick M. Wiseman.

This book tells the story of a remarkable seed chase that is
combined with the reclamation of lost heritage of the Wabanaki people, their history and culture, and the rediscovery of their ancient agricultural technologies. Also highlighted are ancient seeds from the Chesapeake Bay region.

This 7” x 10” full colour publication offers a compilation ofnumerous, heirloom seeds, along with photographs, descriptions and their origins. The book also describes the ancient agricultural systems used by the Wabanaki people, as well as their agricultural ceremonies and calendar. A great book for seed savers and students of environmental and indigenous studies.

“Dr. Wiseman has eloquently laid out our cultural practices, seasons and the meanings behindour overall food systems. I like to refer to our culture as a giant jigsaw puzzle. The puzzle iscomplete and whole only when the different fragmented pieces are put back together. I have found Dr. Wiseman to be a puzzle master with a  unique way of finding the missing pieces to helpthe Abenaki experience come into better focus.” – Chief Don Stevens

Trained as an archaeologist and ecologist, Frederick Matthew Wiseman isdevoted to the promotion of North American Indigenous cultures and thepreservation of their ancient agricultural practices and food systems. Retiredas Professor of Humanities at Johnson State College, he continues to representNative American interests in New England, eastern Canada, the Chesapeake Bay area, Arizona and northwestern Mexico. Over the last twenty years, Dr.Wiseman has completed and published a number of books, films, scholarly andpopular articles and has presented his work at numerous events as a keynote speaker.

For more  information and to order the book, contact earthhavenlearning@gmail.com.
Publication date: April 28, 2018
7” x 10”, Full Color, Soft Cover, 280 pages
Retail price: $28.00 CAN, $22.00 USA

November is Native American Heritage Month

Did you know it’s Native American Heritage Month? The Vermont Abenaki Artists Association has partnered with several institutions to host events all over Vermont.

Hood - Lori Lambert

November 4 & 5, 10 AM to 4:00 PM – Native Heritage Weekend –  Fort at Number 4, Charleston, NH. For more information visit http://www.fortat4.org/index.html

November 7, Wearing Our History: Abenaki Artists Panel Discussion – Contemporary Abenaki artists and tribal members talk about the meaning of garments, accessories, and regalia in their own lives and in the expression of community and tribal identity. This program was created by the Vermont Abenaki Artists Association in partnership with Lake Champlain Maritime Museum and Flynn Center for the Arts, supported in part by a grant from the Vermont Humanities Council. Pierson Library, Shelburne, VT. For more information call the library (802) 985-5124.

November 8, 2017, 7:00 to 9:00 PM – Wearing Our History: Abenaki Artists Panel Discussion – Contemporary Abenaki artists and tribal members talk about the meaning of garments, accessories, and regalia in their own lives and in the expression of community and tribal identity. This program was created by the Vermont Abenaki Artists Association in partnership with Lake Champlain Maritime Museum and Flynn Center for the Arts, supported in part by a grant from the Vermont Humanities Council. Find out more about the event and panel at http://brookslibraryvt.org or (802) 254-5290. Light refreshments will be served. Admission is free.

November 9th – Time TBA – Decolonizing Native American Art Vera Longtoe Sheehan will discuss how Abenaki art and how it is similar yet different from what most the average American concept of art. Champlain College, Room TBA. Burlington, VT.

November 14th, 7:30 PM – 10 PM. An Evening with the Vermont Abenaki Artists Association. At the Flynn for the first time, the Vermont Abenaki Artists Association shares a performance of both traditional and contemporary Abenaki music, storytelling, and drumming. Performers include Chief Don Stevens, Chief of the Nulhegan band of the Coosuk Abenaki, Nulhegan Abenaki Drum, who combine traditional Northeastern music with the sound of the big powwow drumming, and Bryan Blanchette, a Berklee alumnus who started singing at powwows over 20 years ago and who is currently writing and performing new Abenaki language songs. Tickets available through the Flynn online  http://www.flynncenter.org. Flynn Performing Arts Center. Burlington, VT.

November 15th, 10:00AM – Student Matinee: Vermont Abenaki Artists. The Vermont Abenaki Artists Association embodies the history, culture, and art of the Abenaki people. The artists preserve and pass on the traditional art of their ancestors and create contemporary artistic expressions informed by tradition. The Flynn presents the association for the first time as they take our student audiences on a performance journey including traditional drumming and singing and contemporary storytelling, while building new understandings about Abenaki culture. Tickets available through the Flynn online https://www.flynncenter.org/education/student-matinees/details.html?perf_no=15150&prefix=SMW18V

View the full list on the Vermont Abenaki Artists Association website